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Cinema of Hong Kong - Wikipedia. Watch Silent Movie HD 1080P on this page. The cinema of Hong Kong (Chinese: 香港電影) is one of the three major threads in the history of Chinese languagecinema, alongside the cinema of China, and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese- speaking world (including its worldwide diaspora), and for East Asia in general. For decades, Hong Kong was the third largest motion picture industry in the world (after Indian cinema and Hollywood) and the second largest exporter.

Despite an industry crisis starting in the mid- 1. Hong Kong's return to Chinese sovereignty in July 1. Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. Watch Britney: For The Record Torent Free.

In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely available and imitated. Economically, the film industry together with the value added of cultural and creative industries represents 5 per cent of Hong Kong's economy.[6]The Hong Kong industry[edit]Unlike many film industries, Hong Kong has enjoyed little or no direct government support, through either subsidies or import quotas.

It is a thoroughly commercial cinema: highly corporate, concentrating on crowd- pleasing genres like comedy and action, and relying heavily on formulas, sequels and remakes. Hong Kong film derives a number of elements from Hollywood, such as certain genre parameters, a "thrill- a- minute" philosophy and fast pacing and editing. But the borrowings are filtered through elements from traditional Chinese drama and art, particularly a penchant for stylisation and a disregard for Western standards of realism. This, combined with a fast and loose approach to the filmmaking process, contributes to the energy and surreal imagination that foreign audiences note in Hong Kong cinema. In 2. 01. 0, the box office gross in Hong Kong was HK$1. HK$1. 3. 79 billion. There were 5. 6 Hong Kong films and 2.

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The star system[edit]According to Mc. Donald, a star system emerged in Hollywood as talent scouts, coaches, and publicists were involved with finding performers and making them into stars. In the vertically integrated Hollywood film industry of the 1. The studios made the stars and, due to notoriously restrictive terms imposed by exclusive services contracts, the studios also owned the stars (Mc. Ninja: Shadow Of A Tear Full Movie In English there. Donald, 2. 00. 0). As is common in commercial cinema, the industry's heart is a highly developed star system.

In earlier days, beloved performers from the Chinese opera stage often brought their audiences with them to the screen. For the past three or four decades, television has been a major launching pad for movie stardom, through acting courses and widely watched drama, comedy and variety series offered by the two major stations. Possibly even more important is the overlap with the Cantonese pop music industry. Many, if not most, movie stars have recording sidelines, and vice versa; this has been a key marketing strategy in an entertainment industry where American- style, multimedia advertising campaigns have until recently been little used (Bordwell, 2.

In the current commercially troubled climate, the casting of young Cantopop idols (such as Ekin Cheng and the Twins) to attract the all- important youth audience is endemic. In the small and tightly knit industry, actors (as well as other personnel, such as directors) are kept very busy. During previous boom periods, the number of movies made by a successful figure in a single year could routinely reach double digits. Budgets[edit]Films are typically low- budget when compared with American films.[8] A major release with a big star, aimed at "hit" status, will typically cost around US$5 million (Yang et al., 1. A low- budget feature can go well below US$1 million. Occasional blockbuster projects by the very biggest stars (Jackie Chan or Stephen Chow, for example) or international co- productions ("crossovers") aimed at the global market, can go as high as US$2. Hong Kong productions can nevertheless achieve a level of gloss and lavishness greater than these numbers might suggest, given factors such as lower wages and value of the Hong Kong dollar.

Get exclusive film and movie reviews from THR, the leading source of film reviews online. We take an honest look at the best and worst movies Hollywood has to offer. This week, an unverified Twitter account claiming to be “McDonald’s Hong Kong,” a real branch of the global fast-food giant, went mad. Asian Horror has become a popular sub-genre for horror fiends in recent years with the arrival of directors like Takashi Miike, Chan-wook Park, and the Pang Brothers.

Language and sound[edit]Films in the Cantonese language have been made in Hong Kong since the beginning. In the 1. 95. 0s, it also became a center of Mandarin language film making after the Communist takeover in mainland China and the entertainment industry shifted from Shanghai to Hong Kong. From the 1. 96. 0s to mid- 1. Mandarin film productions became dominant, especially those made by the Shaw Brothers studio in Hong Kong.[9] There was also a short- lived period whereby Hokkien films were produced in Hong Kong,[1. Teochew dialect.[1. Cantonese films made a comeback in the 1.

Cantonese. For decades, films were typically shot silent, with dialogue and all other sound dubbed afterwards. In the hectic and low- budget industry, this method was faster and more cost- efficient than recording live sound, particularly when using performers from different dialect regions; it also helped facilitate dubbing into other languages for the vital export market (for example, Standard Mandarin for mainland China and Taiwan).

Many busy stars would not even record their own dialogue, but would be dubbed by a lesser- known performer. Shooting without sound also contributed to an improvisatory filmmaking approach. Movies often went into production without finished scripts, with scenes and dialogue concocted on the set; especially low- budget productions on tight schedules might even have actors mouth silently or simply count numbers, with actual dialogue created only in the editing process. A trend towards sync sound filming grew in the late 1. History[edit]1. 90.

World War II[edit]During its early history, Hong Kong's cinema played second fiddle to that of the mainland, particularly the city of Shanghai, which was then the movie capital of the Chinese- speaking world. Very little of this work is extant: one count finds only four films remaining out of over 5. Hong Kong before World War II (Fonoroff, 1. Detailed accounts of this period therefore have inherent limitations and uncertainties. Pioneers from the stage[edit].

A young Lai Man- Wai in 1. Zhuangzi Tests His Wife credited as the first Hong Kong feature film. As in most of China, the development of early films was tightly bound to Chinese opera, for centuries the dominant form of dramatic entertainment. Opera scenes were the source for what are generally credited as the first movies made in Hong Kong, two 1. Stealing a Roasted Duck and Right a Wrong with Earthenware Dish.

The director was stage actor and director Liang Shaobo. The producer was an American, Benjamin Brodsky (sometimes transliterated 'Polaski'), one of a number of Westerners who helped jumpstart Chinese film through their efforts to crack China's vast potential market. Credit for the first Hong Kong feature film is usually given to Zhuangzi Tests His Wife (1. Brodsky's involvement. Director Lai Man- Wai (Li Ming Wei or Li Minwei in Mandarin) was a theatrical colleague of Liang Shaobo's who would become known as the "Father of Hong Kong Cinema". In another borrowing from opera, Lai played the role of wife himself. His brother played the role of husband, and his wife a supporting role as a maid, making her the first Chinese woman to act in a Chinese film, a milestone delayed by longstanding taboos regarding female performers (Leyda, 1.

Zhuangzhi was the only film made by Chinese American Film, founded by Lai and Brodsky as the first movie studio in Hong Kong, and was never actually shown in the territory (Stokes and Hoover, 1. The following year, the outbreak of World War I put a large crimp in the development of cinema in Hong Kong, as Germany was the source of the colony's film stock (Yang, 2.