· Food News. The First Issue of Pioneer Woman Ree Drummond's Magazine Nearly Sold Out in One Week. By Liam Berry. Posted on June 20, 2017 at 5:08pm EDT. The following is a list of episodes of Diff'rent Strokes, an American sitcom that aired on NBC from November 3, 1978, to May 4, 1985, and on ABC from September 27. Get the latest news on celebrity scandals, engagements, and divorces! Check out our breaking stories on Hollywood?s hottest stars! Ree Drummond has a hit show on her hands with the Food Network's Pioneer Woman. But the 48-year-old mogul said long before she worked the land at a cattle ranch, she.

The KLF - Wikipedia. The KLF (also known as The Justified Ancients of Mu Mu, furthermore known as The JAMs and The Timelords and by other names) were a British electronic band of the late 1. Beginning in 1. 98. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) released hip hop- inspired and sample- heavy records as the Justified Ancients of Mu Mu, and on one occasion (the British number one hit single "Doctorin' the Tardis") as the Timelords. The KLF released a series of international hits on their own KLF Communications record label, and became the biggest- selling singles act in the world for 1.

The duo also published a book, The Manual (How to Have a Number One the Easy Way), and worked on a road movie called The White Room. From the outset, they adopted the philosophy espoused by esoteric novel series The Illuminatus! Trilogy, gaining notoriety for various anarchicsituationist manifestations, including the defacement of billboard adverts, the posting of prominent cryptic advertisements in NME magazine and the mainstream press, and highly distinctive and unusual performances on Top of the Pops.

Their most notorious performance was a collaboration with Extreme Noise Terror (and Barney Greenaway of Napalm Death) at the February 1. BRIT Awards, where they fired machine gunblanks into the audience and dumped a dead sheep at the aftershow party. This performance announced the KLF's departure from the music business, and in May 1. With the KLF's profits, Drummond and Cauty established the K Foundation and sought to subvert the art world, staging an alternative art award for the worst artist of the year and burning one million pounds sterling.

Drummond and Cauty remained true to their word of May 1. KLF Communications catalogue remains deleted in the UK, but The White Room is still being pressed in the U.

S. by Arista. They have released a small number of new tracks since then, as the K Foundation, the One World Orchestra and most recently, in 1. K. History[edit]. The Pyramid Blaster – the logo of KLF Communications. In 1. 98. 6, Bill Drummond was an established figure within the British music industry, having co- founded Zoo Records,[6] played guitar in the Liverpool band Big in Japan,[7] and worked as manager of Echo & the Bunnymen and the Teardrop Explodes.[8] On 2. July of that year, he resigned from his position as an A& R man at record label WEA, citing that he was nearly 3. Drummond as the speed at which a vinyl LP revolves), and that it was "time for a revolution in my life. There is a mountain to climb the hard way, and I want to see the world from the top".[9] He released a well- received solo LP, The Man, judged by reviewers as "tastefully understated,"[1.

Barnard Hughes, Actor: The Lost Boys. Emmy and Tony Award-winner Barnard Hughes forged a career as one of American's most successful character actors, equally at home.

In 1986, Bill Drummond was an established figure within the British music industry, having co-founded Zoo Records, played guitar in the Liverpool band Big in Japan.

Artist and musician Jimmy Cauty was, in 1. Brilliant[1. 0]—an act that Drummond had signed to WEA Records and managed.[1. Cauty and Drummond shared an interest in the esoteric conspiracy novels The Illuminatus!

Trilogy and, in particular, their theme of Discordianism, a form of post- modern anarchism. As an art student in Liverpool, Drummond had been involved with the set design for the first stage production of The Illuminatus! Trilogy, a 1. 2- hour performance which opened in Liverpool on 2. November 1. 97. 6.[1. Re- reading Illuminatus!

Drummond felt inspired to react against what he perceived to be the stagnant soundscape of popular music. Recalling that moment in a later radio interview, Drummond said that the plan came to him in an instant: he would form a hip- hop band with former colleague Jimmy Cauty, and they would be called the Justified Ancients of Mu Mu. It was New Year's Day ..

I was at home with my parents, I was going for a walk in the morning, it was, like, bright blue sky, and I thought "I'm going to make a hip- hop record. Who can I make a hip- hop record with?". I wasn't brave enough to go and do it myself, 'cause, although I can play the guitar, and I can knock out a few things on the piano, I knew nothing, personally, about the technology. And, I thought, I knew [Jimmy], I knew he was a like spirit, we share similar tastes and backgrounds in music and things.

So I phoned him up that day and said "Let's form a band called The Justified Ancients of Mu- Mu". And he knew exactly, to coin a phrase, "where I was coming from". And within a week we had recorded our first single which was called "All You Need Is Love". Watch Ice Age: Collision Course Online Forbes. The Justified Ancients of Mu Mu[edit]Early in 1.

Drummond and Cauty's collaborations began. They assumed alter egos – King Boy D and Rockman Rock respectively – and adopted the name the Justified Ancients of Mu Mu (the JAMs), after the fictional conspiratorial group "The Justified Ancients of Mummu" from The Illuminatus! Trilogy. In those novels, the JAMs are what the Illuminati (a political organisation which seeks to impose order and control upon society) call a group of Discordians who have infiltrated the Illuminati in order to feed them false information. As The Justified Ancients of Mu Mu, Drummond and Cauty chose to interpret the principles of the fictional JAMs in the context of music production in the corporate music world.[citation needed] Shrouded in the mystique provided by their disguised identities and the cultish Illuminatus!, they mirrored the Discordians' gleeful political tactics of causing chaos and confusion by bringing a direct, humorous but nevertheless revolutionary approach to making records, often attracting attention in unconventional ways.

The JAMs' primary instrument was the digital sampler with which they would plagiarise the history of popular music, cutting chunks from existing works and pasting them into new contexts, underpinned by rudimentary beatbox rhythms and overlaid with Drummond's raps, of social commentary, esoteric metaphors and mockery. This technique is rather similar to that used by the Residents on their album Meet the Residents). The JAMs' debut studio single "All You Need Is Love" dealt with the media coverage given to AIDS, sampling heavily from the Beatles' "All You Need Is Love" and Samantha Fox's "Touch Me (I Want Your Body)". Although it was declined by distributors fearful of prosecution, and threatened with lawsuits, copies of the one- sided white label 1.

Sounds.[1. 7] A later piece in the same magazine called the JAMs "the hottest, most exhilarating band this year .. It's hard to understand what it feels like to come across something you believe to be totally new; I have never been so wholeheartedly convinced that a band are so good and exciting."[1. The JAMs re- edited and re- released "All You Need Is Love" in May 1. The re- release rewarded the JAMs not just with further praise (including NME´s "single of the week")[1.

The album, 1. 98. What the Fuck Is Going On?), was released in June 1.

Included was a song called "The Queen and I", which sampled large portions of the ABBA single "Dancing Queen".[2. The recording came to the attention of ABBA's management and, after a legal showdown with ABBA[2. Mechanical- Copyright Protection Society,[2. Drummond and Cauty travelled to Sweden in hope of meeting ABBA and coming to some agreement, taking an NME journalist and photographer with them, along with most of the remaining copies of the LP.[2. They failed to meet ABBA, so disposed of the copies by burning most of them in a field and throwing the rest overboard on the North Sea ferry trip home. In a December 1. 98. Cauty maintained that they "felt that what [they]'d done was artistically justified."[2.

Two new singles followed 1.